C = 1, D = 2, E = 3, F = 4, G = 5, A = 6, B = 7, C = 8.
The interval between C and A is a 6th.
Now, let's invert-- what is the interval between A and C?
A = 1, B = 2, C = 3, D = 4, E = 5, F = 6, G = 7, A = 8
The interval between A and C is a 3rd.
The interesting trick here, is that these 2 intervals (C to A, A to C) are inverse of each other, and the sum of the intervals is 9.
6 + 3 = 9
This works for all these intervals. Here's another example: What is the interval between C and F?
a 4th
What is the interval between F and C?
Well, 4 + x = 9,
9 - 4 = 5
The interval between F and C is a 5th.
I'll let you figure out the rest of the intervals-- in all keys, too! Refer to the circle of Fifths to learn how to spell all the scales you need.
I had a profound realization recently, when I was studying chess moves. (This should indicate the magnitude of my nerdiness, if nothing else does.)
In chess, the board looks like this:
Look at Whites 2nd rank. All his pawns are there. Look at Blacks pawns-- where are they? All on the 7th rank. In chess, the inversion of the 2nd rank is the 7th-- White becomes black, but its weirdly the same. Notice=
2+7=9
Just like in music. In chess, the center of the board is crucially important, and for black and white both, there is a center line. When you cross this line, you enter the enemies turf. For White, that is the 4th row. For black, its the inverse-- the 5th.
4+5=9
The same principle applies going side to side. The columns, or 'files' go from a to h-- think of 'h' as the octave of 'a'. The inverse of file 'a' is 'h'. The inverse of file 'd' is 'e'.
I love the symmetry here, amongst the numbers, and amongst two wildly different yet venerable pastimes. Some people say that music is the emotional expression of math. And others say that chess, despite its rigid rules and logic, is ultimately an artistic expression. It's almost as if they are inverse of each other.

Karl Paulnack is on faculty at the Boston Conservatory, and he gave a commencement speech to the new students of 2004. He likens the role of a musician to more of a therapist and medical professional than entertainer. Although he is speaking to future professional musicians, I think the message is also relevant to anyone who struggles to learn to play. The act of playing your instrument, even alone, is a powerful means of experiencing music. all the benefits of music can come through even the most basic of practice regimens (if you make sure to keep you practicing fun!)
Here's a link to the article where I read it:
http://greenroom.fromthetop.org/2009/03/11/karl-paulnack-to-the-boston-conservatory-freshman-class/
Benjamin Zander, conductor of the Boston Philharmonic, has an infectious love for music. I have rarely encountered speakers as lively and entertaining, as well as profound, as this guy. Presented here is a talk he gave for the famous TED lecture series.
This musician offers an in-depth look at basic jazz theory. Note that this is a saxophone player. In studying theory, its a good idea to open up to everyone with something useful to say. Lot's of guitarists look to horn players because their focus on single-line phrases is fundamentally different than the multiple-voices of piano players.
at Pete Thomas' website
This website is a wonderful resource. The lessons offered here are practical, simple to follow and profoundly useful.
at JazzGuitar.be
A comprehensive list of chord scales. Major, melodic minor, harmonic minor, natural minor:
At Musilosophy.com



